Lambi race ka ghoda?

Amongst other things, HT has a significant scoop on Kaminey - the story kernel

In the film Kaminay Shahid plays a double role — Charlie and Guddu. The role of their childhood sweetheart is enacted by Priyanka Chopra. Three of them grow up in Dharavi, with dreams of making it big in life. Guddu aims to make it big in the right way, while Charlie is hooked [on to do all bad boys’ things] to betting horse race. But both shall pass a crossroad to reach their destination.

It says the movie was shot in real life locations like VT Railway station, Dharavi and Gateway of India.

and I guess, Mahalaxmi Race Course as well, considering the horse racing bit.

One thing I won't be betting on - VB's films releasing here in the UK. Unless they have SRK. Won't bet on that either.

"Kaminey" release notes

(All the upcoming info in one post as we lead up to the release of the music and later the film itself)

* (24 Mar) Kaminey is scheduled to release on 5th June says this news item.

*(23 Mar) Vishal says Kaminey is a caper film and confirms that he has sung for the film.

How to ask Vishal Bhardwaj a question

Why, you stand up abruptly and shout out in garbled English before he can get away!

Last week, I attended a seminar on Cinema and Literature jointly organised by the Film & Television Institute of India (FTII) in Pune and the Film Writers Association. Here's the precursor post about that.

Which brings us back to the titular figure of this post. The last time I'd seen Vishal, he was much less celebrated as a film-maker and chose to remain silent. Here, he began with expressing his trepidation at speaking in front of legends such as Mani Kaul and Prof. U.R.Ananthamurthy, and didn't even want to look in the direction of his 'gardener' Gulzar. He then proceeded to shake off his nervousness with a couple of 'shers' and spoke of how Maqbool came about. He began by describing the days before Maachis in the land where 'mediocrity is worshipped', and how he tried gaining producers' attention by trying to pass of his original songs as copies of Pakistani songs (incredulous laughter sweeps the auditorium).

Heeding Gulzar's prophesy that Vishal would be a film-maker someday, he decided to try his hand at making films, partly with a view to employing himself as a music director (since his career seemed to be ending!). After Makdee (a story that was partly inspired from childhood memories of Enid Blyton), he wanted to make a film on the underworld ("because I like guns, crimes, and chases"), but felt most films ended in a gangwar, and lacked depth. Plus, what do you do that Ram Gopal Varma hadn't? Serendipitously, Anurag Kashyap had pointed him to Kurosawa's "Throne of Blood" and Alaap Mazgaonkar (who plays 'Mughal-e-Azam' in Makdee) had given him a book of stories containing Macbeth. Until then, he subscribed to the common view that 'literature' was high-brow and had no pulp or entertainment to offer. But here was a drama that gripped him.

He then read the full Macbeth ("Shakespeare language ek taraf, English duusri taraf") cover to cover. He and Abbas Tyrewala began to write, not encumbered by convention of what was allowed and what wasn't ("we were blessed with ignorance"). Making the witches into cops or turning Lady Macbeth into Abbaji's mistress happened. Naseeruddin Shah loved the script and gave him the confidence this would work, volunteering to play one of the cops instead of Abbaji as originally intended.

There was also a reference to an earlier FWA seminar where Javed Akhtar said: "In Maqbool, Shakespeare failed you; in Omkara, you failed Shakespeare" (according to this account, JA and others had torn into Omkara). Vishal ended by quoting Prof. U.R.Ananthamurthy's speech on the 1st day where the Jnanpith awardee talked about the difference in adapting just the 'structure' as opposed to 'texture'. Vishal said he had been paying more attention to structure than texture (though this blogger finds texture and ambience to be Vishal's key strength) and now had the confidence to write his own originals.

After reciting a parting couplet, he sat down. Govind Nihalani, chairing the session, said Vishal was off to catch a flight, so may be we had time for just one question. No one stirred (most sessions had gone question-less, a pity), so he was about to wish Vishal goodbye, when I decided to shoot my hand up.

There were many things to ask (that after disregarding Yasho's suggestion to yell "Kaminey!" out loud) but I settled for one on Vishal's other main writing source. "Could you tell us a little about your work with Ruskin Bond, and we've heard you're working with him again". Nihalani was about to brush me off for being a tad too late, but Vishal was kind enough to answer. He spoke of how he liked the story for The Blue Umbrella, but couldn't see how it would make a film of more than 30 minutes. He then hit upon the idea of the red umbrella, met Ruskin Bond who seemed to like the idea, and made the film. And yes, he was working on a few ideas with Bond (he mentioned a couple of names, but sadly, I couldn't quite figure them out - did he say "A Season of Ghosts"?).

And that was that.

A Times of India interview on the sidelines.

Update: 5 Apr 2009
Ajay Bhramatmaj has a transcript of Vishal's speech here (the previous link is in Devanaagarii, here's a Roman script version).

Fa-fever, Double Dose, and The Big G

George has been digging around for Kaminey news for the last week or so and has dug out the juicy tidbit that the other Vishal (Dadlani, do not confuse like IMDB) sings under this Vishal's baton and puts to rest speculation about who the lyricist is (by pointing to Gulzar-saab's oblique confirmation).

And to underftand why he replafes the phoneme "f" by "f" (;-)), you'll juft have to read thif, won't you?

Update
Abhishek Toraskar points to more evidence of Gulzar's association with the film in this link.

Kaminey - of speech therapists and release dates

Usually the accoutrement of slapstick sidekicks, Kaminey features speech defects in a central form. As this article reveals, great pains were taken by director and actor to try and get the 'flaws' right.

While this article says the film is going to release only in June. That's a long way off.

Ishqiyaa updates

(Link sent in by reader VanDee2008:)

Tehelka offers this little tidbit about Ishqiyaa, produced by Vishal and featuring the debut as director of his close associate Abhishek Chaubey:

THE RETURNING GOOD GIRL

We had kind of given up on Vidya Balan. Always a mistake. The moment you wash your hands off someone in Bollywood they embarrass you by making a brilliant recovery. Balan, for instance, is finally doing something human. She will be seen next in Vishal Bharadwaj’s Ishqiyaan in which she reportedly plays a woman in rural UP. Her character seduces an uncle (Naseeruddin Shah) and nephew (Arshad Warsi) pair and is generally rumoured to be juicy. Here is to hoping that the girl finds her second wind in villainy. The good girl number hasn’t got her very far.

A similar article here.

Other stories related to this film here.

(As with Kaminey, the exact/preferred transliteration of the title is unclear.)