Monday, November 16, 2009
now it's 7: husband one locked in
Nahi chalegi, nahi chalegi, gandi bhaasha nahi chalegi!!
One clear sign of an increasing corporate hold over the film industry is the instillment of test screening. Good, bad? Well, definitely good for producers who want the film not to bomb for the lack of UAT and appeal to the widest audience possible. By the same token, bad for audiences with a keener palate.
Take the case of Ishqiya. During focus group screening, women squirmed and shifted in their seats. Indeed, they found it uncomfortable to watch. (give them cushions I say!)
Now, I wonder if Satya had been shown to such a focus group. Would Bhiku Mhatre saying "paagal" instead of "chutiya" conveyed the same nuance?
Ishqiya seems to be of a milieu where people swear to punctuate their sentences (the male protagonists are thieves, you ar*3$0735!). Indeed in my opinion, expletives qualify and elaborate the exclamation mark oh so wonderfully.
Why, oh, why, should we then curb the beauty of the rustic lingo?
Wednesday, October 21, 2009
Another interview with Vishal Bharadwaj
Another साक्षात्कार in TOI from the folkal voice par excellence.
Monday, October 5, 2009
An interview in The Hindu with Rekha Bhardwaj
Wednesday, September 30, 2009
from 12 to 7: vishal gets the raashee rash
Saturday, September 12, 2009
Vishal's Broadway Musical?
The news item here.
Friday, September 4, 2009
Some weeks ago, I was sitting in the evening bus back home when it began to rain. The conditions were sufficiently heavy for condensation to appear on the window panes. As is inevitable when presented with a damp canvas, doodles began to materialise, literally out of thick air.
This reminded me of two movie sequences that used the drawing board of the window-pane (not considering shower doors or other glass panes merely providing 'steamy' vistas). One is in Kill Bill: Vol. 1, where a suddenly serious Hattori Hanzo, confronted by 'The Bride', writes the name of their arch-enemy. The condensation doesn't drip, perhaps suggesting a fog created by means other than water or just multiple takes. It's a little too perfectly etched, though.
The second, however, is more naturally crooked. This is the opening scene of a film. The first shot opens on a blurred background, bluish in colour. A dull noise accompanies the frame, which you realise is the sound of rain. The Bombay rain. A hand reaches out behind what turns out to be glass, and there is cackling.
The hand proceeds to draw a scraggly line to our left, and begins to fill out a rectangle. Followed by diagonals and two more. lines. It's a horoscope. Of Mumbai's. This a police van, and inside it are Sadik Chikna and the Inspectors Pandit & Purohit.
Thus brilliantly, in a haze of condensed air, in the jungle of Mumbai, does "Maqbool" unveil.