Monday, November 16, 2009

now it's 7: husband one locked in

If the buzz is to be given credence, Vishal's next will be called Seven (or 7) and not 7 Husbands. Given the insurmountable strength of David Fincher's moody piece on the Internet, one can see problems when using Google to find out more. The buzz also tells us that Vishal has, after much persistence, signed up the first of the seven: Mohanlal. Given Vishal's track record, this might undo the damage done by RGV's fiery in-sippy-d flick and bolster the ouevre established with Company. Now muster your best Malayali impression and repeat after me लोहा गरम है

Nahi chalegi, nahi chalegi, gandi bhaasha nahi chalegi!!

Bound scripts, targeted audiences, massive publicity budgets, media tie-ups, and merchandising - Bollywood has indeed turned a corner in the noughties.

One clear sign of an increasing corporate hold over the film industry is the instillment of test screening. Good, bad? Well, definitely good for producers who want the film not to bomb for the lack of UAT and appeal to the widest audience possible. By the same token, bad for audiences with a keener palate.

Take the case of Ishqiya. During focus group screening, women squirmed and shifted in their seats. Indeed, they found it uncomfortable to watch. (give them cushions I say!)

Now, I wonder if Satya had been shown to such a focus group. Would Bhiku Mhatre saying "paagal" instead of "chutiya" conveyed the same nuance?

Ishqiya seems to be of a milieu where people swear to punctuate their sentences (the male protagonists are thieves, you ar*3$0735!). Indeed in my opinion, expletives qualify and elaborate the exclamation mark oh so wonderfully.

Why, oh, why, should we then curb the beauty of the rustic lingo?

Wednesday, October 21, 2009

Another interview with Vishal Bharadwaj

The only ghee laden Hindi word I know for interview is साक्षात्कार. Anyone know any better?
Another साक्षात्कार in TOI from the folkal voice par excellence.

Monday, October 5, 2009

An interview in The Hindu with Rekha Bhardwaj

The amazingly talented Rekha Bhardwaj, who recently performed (riffed?) in the Rajasthan International Folk Festival, speaks of her singing, Vishal's direction, singing "Namak", and how Vishal romanticises the fact that he took up music just to woo her in college. The full interview here.

Wednesday, September 30, 2009

from 12 to 7: vishal gets the raashee rash

If articles floating online are to be believed, Vishal Bhardwaj is working on a script called 7 Husbands and seems to have to roped Priyanka Chopra in to play 7 brides for 7 men. Since the rushes of What's Your Raashee? are mentioned, one is inclined to dismiss this as another case of striking the hot iron. Satte pe Satta becomes Ek Sati Saat Pati?

Saturday, September 12, 2009

Vishal's Broadway Musical?

The Times of India reports that Vishal will be scoring the Broadway version of "Monsoon Wedding", which is to be made by Mira Nair (the film version had music by the talented Mychael Danna).

The news item here.

Friday, September 4, 2009

"Steam Funk" - my little post on the opening scene of Maqbool

Some weeks ago, I was sitting in the evening bus back home when it began to rain. The conditions were sufficiently heavy for condensation to appear on the window panes. As is inevitable when presented with a damp canvas, doodles began to materialise, literally out of thick air.

This reminded me of two movie sequences that used the drawing board of the window-pane (not considering shower doors or other glass panes merely providing 'steamy' vistas). One is in Kill Bill: Vol. 1, where a suddenly serious Hattori Hanzo, confronted by 'The Bride', writes the name of their arch-enemy. The condensation doesn't drip, perhaps suggesting a fog created by means other than water or just multiple takes. It's a little too perfectly etched, though.

The second, however, is more naturally crooked. This is the opening scene of a film. The first shot opens on a blurred background, bluish in colour. A dull noise accompanies the frame, which you realise is the sound of rain. The Bombay rain. A hand reaches out behind what turns out to be glass, and there is cackling.

The hand proceeds to draw a scraggly line to our left, and begins to fill out a rectangle. Followed by diagonals and two more. lines. It's a horoscope. Of Mumbai's. This a police van, and inside it are Sadik Chikna and the Inspectors Pandit & Purohit.

Thus brilliantly, in a haze of condensed air, in the jungle of Mumbai, does "Maqbool" unveil.