More Ruskin, some Deepika

From recent news items:

More Ruskin Bond's Saat Khoon Maaf appearance: Times of India - 23rd August (featuring the tidbit that Bond and Bhardwaj are now neighbours in Mussoorie)

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The news that Deepika Padukone has signed a Vishal film (is he directing or simply producing?), to be featured opposite Saif Ali Khan. More prayers for non-actor to actor transformations.

The new Bond movie and the Seven Deadly Sons

The irreverent moifightclub blog provides a complete list of doomed husbands in Vishal's upcoming Saath Khoon Maaf (original source: The Hindustan Times). They are:
Naseeruddin Shah, Irrfan Khan, John Abraham, Neil Nitin Mukesh, Russian actor Alexander Dyachenko, Annu Kapoor and Vivaan Shah (Naseeruddin Shah’s son).

Ruskin Bond's cameo is also confirmed, thanks to a note from the writer himself. Writing in Outlook, the quiet great man talks of his admiration for his director, the toil behind a film, and of being unable to make an offer that Vishal couldn't refuse:

I offered to sing and dance, but I was gently told that I should stick to writing.

Read about the latest 'Bond movie' here.
(There's an funny - unrelated - anecdote at the end of the diary.)

Susanna's Seven Husbands

Vishal's next, the what-is-the-title-after-all Saath Khoon Maaf/Ek Bataa Saath is based on Ruskin Bond's short story "Susanna's Seven Husbands". This is Vishal's second collaboration with the veteran writer after "The Blue Umbrella".

According to an interview with Bond, Bond describes Susanna thus:

"My protagonist is a femme fatale who bumps off her seven husbands… I had to find ingenious ways of bumping seven people off while writing the story. Not something that I am used to contemplating generally,"

And it seems Vishal's begun shooting for the film in Coorg with a hairline fracture sustained while playing tennis.

How to ask Vishal Bhardwaj a question

Why, you stand up abruptly and shout out in garbled English before he can get away!

Last week, I attended a seminar on Cinema and Literature jointly organised by the Film & Television Institute of India (FTII) in Pune and the Film Writers Association. Here's the precursor post about that.

Which brings us back to the titular figure of this post. The last time I'd seen Vishal, he was much less celebrated as a film-maker and chose to remain silent. Here, he began with expressing his trepidation at speaking in front of legends such as Mani Kaul and Prof. U.R.Ananthamurthy, and didn't even want to look in the direction of his 'gardener' Gulzar. He then proceeded to shake off his nervousness with a couple of 'shers' and spoke of how Maqbool came about. He began by describing the days before Maachis in the land where 'mediocrity is worshipped', and how he tried gaining producers' attention by trying to pass of his original songs as copies of Pakistani songs (incredulous laughter sweeps the auditorium).

Heeding Gulzar's prophesy that Vishal would be a film-maker someday, he decided to try his hand at making films, partly with a view to employing himself as a music director (since his career seemed to be ending!). After Makdee (a story that was partly inspired from childhood memories of Enid Blyton), he wanted to make a film on the underworld ("because I like guns, crimes, and chases"), but felt most films ended in a gangwar, and lacked depth. Plus, what do you do that Ram Gopal Varma hadn't? Serendipitously, Anurag Kashyap had pointed him to Kurosawa's "Throne of Blood" and Alaap Mazgaonkar (who plays 'Mughal-e-Azam' in Makdee) had given him a book of stories containing Macbeth. Until then, he subscribed to the common view that 'literature' was high-brow and had no pulp or entertainment to offer. But here was a drama that gripped him.

He then read the full Macbeth ("Shakespeare language ek taraf, English duusri taraf") cover to cover. He and Abbas Tyrewala began to write, not encumbered by convention of what was allowed and what wasn't ("we were blessed with ignorance"). Making the witches into cops or turning Lady Macbeth into Abbaji's mistress happened. Naseeruddin Shah loved the script and gave him the confidence this would work, volunteering to play one of the cops instead of Abbaji as originally intended.

There was also a reference to an earlier FWA seminar where Javed Akhtar said: "In Maqbool, Shakespeare failed you; in Omkara, you failed Shakespeare" (according to this account, JA and others had torn into Omkara). Vishal ended by quoting Prof. U.R.Ananthamurthy's speech on the 1st day where the Jnanpith awardee talked about the difference in adapting just the 'structure' as opposed to 'texture'. Vishal said he had been paying more attention to structure than texture (though this blogger finds texture and ambience to be Vishal's key strength) and now had the confidence to write his own originals.

After reciting a parting couplet, he sat down. Govind Nihalani, chairing the session, said Vishal was off to catch a flight, so may be we had time for just one question. No one stirred (most sessions had gone question-less, a pity), so he was about to wish Vishal goodbye, when I decided to shoot my hand up.

There were many things to ask (that after disregarding Yasho's suggestion to yell "Kaminey!" out loud) but I settled for one on Vishal's other main writing source. "Could you tell us a little about your work with Ruskin Bond, and we've heard you're working with him again". Nihalani was about to brush me off for being a tad too late, but Vishal was kind enough to answer. He spoke of how he liked the story for The Blue Umbrella, but couldn't see how it would make a film of more than 30 minutes. He then hit upon the idea of the red umbrella, met Ruskin Bond who seemed to like the idea, and made the film. And yes, he was working on a few ideas with Bond (he mentioned a couple of names, but sadly, I couldn't quite figure them out - did he say "A Season of Ghosts"?).

And that was that.

A Times of India interview on the sidelines.

Update: 5 Apr 2009
Ajay Bhramatmaj has a transcript of Vishal's speech here (the previous link is in Devanaagarii, here's a Roman script version).

Routine news updates - Dec 2008

In what is certain to be the last post on this blog this year, some minor tidbits about Vishal that have appeared online:

Kaminey apparently progresses, though there's not much to report, if you discount the tabloid press's fascination with the lead actor's mysterious hair-style (sorry about that). On a more serious note, the crew were shooting on the day of the Mumbai terror attacks close to some of the assault sites and had to pack up in haste.
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Ruskin Bond, whose The Blue Umbrella" was adapted on screen by Vishal, is apparently "workin on two scripts" for the director.
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And finally, the gossip-vine has it that Vishal got involved in a fracas with Shah Rukh Khan. Yikes. The things we have to discuss when there are no new movies or music to talk about.