The (already forgotten) music of Haal-e-Dil

Perhaps the fates that govern the musical birthchart of Vishal Bhardwaj ordain that several of his works are intended to be criminally under-heard. A more earthly reason for hardly anyone noticing the music of "Haal-e-Dil" could be attributed to it being an under-promoted film featuring a bunch of not-so interesting newcomers in an average script. This album is also one of those multi-composer efforts, featuring Raghav Sachar, Pritam, and Anand Raj Anand in addition to Vishal.

(I'll restrict myself to Vishal's double-header in this post, but a brief review of the album can be seen at Karthik's MilliBlog.)

Rahat Fateh Ali Khan re-appears in a Vishal song after that superbly rendered cautionary ode to love in "Omkara". "Haal-e-dil" begins with what sounded to my untrained ears as the digderidoo (perhaps just some electronic consort), and fits into the category of songs usually classified as "soulful". Also featuring the backing vocals of Shreya Ghoshal, the song is melodious and measured, with a hint of a Sufi influence. Typically for Vishal, the arrangements are interesting with a couple of eclectic interludes (is that a mandolin we hear in the middle, or just a guitar?). With Rahat leading the way, the elements of the song come together wonderfully.

The other Vishal credit on this album is a reprise of the title song, by Rekha Bhardwaj. It's a more modern, rock-ish version, rendered in characteristic fashion by the talented missus who can zig-zag the registers nicely. It does come in second to the Rahat version, but these Munna Dhiman lyrics (also a variation of the other song) are perhaps a touch better here ("tere kohre me.n dhuup ban ke kho jaau.n"). And there's some nice guitar backing all through.

In all, a cameo by Vishal and gang which, though it won't set any cash registers or weekly top 10s ringing, is worth a devoting a quiet moment or two if you can catch it.

Crossposted here.

Personal thoughts on the music of "U, Me, aur Hum"

I'll admit that I would not have ordinarily looked forward to the music of a film with an orthographically-challenged title such as "U, Me, aur Hum". But with Vishal helming the baton, here is what I thought.

This film is the most 'urban' of Vishal's output. Though not spectacular in any way, it presents enough points of interest to merit a couple of repeats through the playlist. The lyricist isn't a certain stiff-kurta'd maestro here, but Munna Dhiman steps in to produce a couple of interesting poetic fragments. His highest point is the clever "Saiyaan", where Vishal graciously steps into the background to let the lyrics shine. With "nai dilli me.n bareilly jaisaa saiyaa.n" and "saara din afvaaho.n saa phirtaa udtaa-phirtaa hai galii-galii", this is a great track. Vishal adds the right amount of musical embellishments and gets Sunidhi Chauhan to do the same. Though I didn't like this the first time I heard it, it "chipkoo"-ed on from the next one.

Adnan Sami features on 3 tracks as the male voice. Shreya Ghosal and he combine for "Jii Le", a peppy Spanish number with the usual kind of arrangements (Spanish guitars et al.) that make it so. It's a very nice melody, especially the opening piece. I also liked the guitar riffs and the use of the accordions here. Decent track.

There are two version of the title song. Shreya Ghosal does the female solo, while Vishal himself steps up to the mikes for the male version. The tune has all the trappings of a soothing romantic tune and the English pop-lyrics don't distract as in some other songs. With all due respect to the composer, I really think Vishal ought not to sing. His version, in some places, sounds like a scratch track. Music directors are given the benefit of doubt as long as they have something distinctive to offer. However, as yet, Vishal's voice does not have the earnestness of A.R.Rahman, the zaniness of R D Burman, or the folkishness of S D Burman or Ilaiyaraja. He sounds very flat as well as heavy, especially with a female version to compare against. Nice lyrics again.

I didn't like the heavy Punjjaabbee numbers, especially the very noisy (to me) "Phatte". "Dil Dhakda" is slightly better, again with Dhiman's somewhat offbeat takes. However, on the whole, I haven't bothered to come back to these two.

At the end, I'm still playing four of these tracks, especially "Saiyaan", so that's not too bad for a digression on to the mainstream for someone who hasn't always been given his due in that part of public consciousness.

Update: Lyrics can be found at the Gulzarfans egroup.

Also posted on my personal blog.

"U, Me Aur Hum" - Music reviews

The music of "U, Me Aur Hum" has finally hit the stands. A collection of music reviews, most of whom seem to like it without necessarily raving about the songs. Until we manage to get our hands on the album and give it a good listen, listen to it online and read some of these early reviews:

Rediff, Milliblog, Sify, Ramanand.